It may well not have all the right stuff, but what “Fly Me to
Today: November 22, 2024
Critique
The luckless souls inhabiting Polish director Agnieszka Holland’s “Green Border” have minor light in
Lily Gladstone delivers the functionality wattage, and an Oklahoma of reservation existence and white
Critique: In sun-dappled ‘Summer Solstice,’ aged frictions re-emerge, as does a belated independence
The characteristic debut of Noah Schamus bears a lightness of contact and self-confident performances
Sam (Rachel Sennott) is frustrated. Dissociative and disconnected, she spends her days bed-rotting, microwaving
The nature of identity — vital concerns of “Who am I?” and “Why am
The South Korean director Hong Sang-soo performs rapidly and modestly, but the domestic scenes
“Evil Does Not Exist” is quite the title to ponder as Ryûsuke Hamaguchi’s excellent
“I Observed the Tv Glow” is a claustrophobic mood piece that taps into the
Critique: Ralph Fiennes, an more mature Macbeth, builds sympathy for a killer with soulful weariness
“Macbeth” is littered with casualties — and not only on the fictional battlefield. The
