From Hellās Kitchen, at the Shubert.
Photo: Marc J. Franklin
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At this point, weāve all had a couple days to process theĀ Tony nominations ā and to enjoy RenĆ©e Elise Goldsberryās veryĀ Girls5EvaĀ attempt to find humor in Jesse Tyler FergusonāsĀ joke about the Tonysā TikTokĀ maybe getting deleted ā so weāll skip the by-the-numbers recap of the listings (congrats to the ā13 going on the marqueeā club,Ā StereophonicĀ andĀ Hellās Kitchen) and cut straight to a hopefully deeper, wiser, sillier analysis of who and what is ahead and behind, and why, as we head into the chaos of May.
UP: Niche eligibility rulings. If you werenāt keeping up with the doings of the Tony Nominating Committee (the list ofĀ members is here, minus whoever had to drop out due to conflicts of scheduling or interest), you might not have noticed the finicky reasons why some productions ended up where they are. Notably,Ā Appropriateās a revival (thank theĀ classics rule, and also a decision that separates it fromĀ Stereophonic);Ā Gutenbergās a revival (same); William Jackson Harperās a lead ofĀ VanyaĀ (both he and Steve Carell were petitioned up as leads; though, fun fact, George C. Scott also got a lead nomination for Astrov for the 1973 Mike NicholsĀ Vanya); and everyone inĀ StereophonicĀ is a featured player (no oneās billed above the title!).
UP: Big categories.Ā If there are at least nine eligible candidates in a category, itāll have five nominees; if thereās a two- or three-way tie for the last slot in a category, however, it expands. Thus, the wealth of featured players in musicals, musical scenic designers, etc.
DOWN: Boomersicals.Ā The Whoās TommyĀ only secured a Best Revival nomination ā no luck for its lead Ali Louis Bourzgui, who was being pushed hard ā andĀ The Heart of Rock and RollĀ wasnāt getting nominators beating at all (nor was Barry Manilowās work inĀ Harmony). Sure,Ā StereophonicĀ has a lot of Fleetwood homage, but we may be moving into a different era of pandering, because ā¦
UP: Millennial and Gen-Xsicals.Ā Alicia Keys, born in 1981! Sufjan Stevens, born in 1975!
DOWN: The City of Chicago.Ā BothĀ The NotebookĀ andĀ The Whoās TommyĀ rode into town with warm notices from the Second City, and neither had a great day with nominations. Maybe itās worth warning those who are staging tryouts there not to put too much faith in the hype. (āNowĀ a warning?ā go the producers ofĀ Death Becomes Her.)
UP: The debate over whether Oklahoma is part of the Midwest.Ā Because if it is, we can addĀ The Outsiderās sizable vote tally toĀ Illinoiseās andĀ Water for ElephantsĀ (they go to Chicago!) and argue thereās a big trend there. If not, we can just say congrats toĀ The Outsiders, positioning itself across fromĀ Hellās KitchenĀ in a āgeneral middle of Americaāāversusācoast duel.
MOSTLY DOWN: The United Kingdom.Ā That much-debatedĀ CabaretĀ still got the fourth-most nominations, but it must hurt that Rebecca Frecknallās direction wasnāt recognized. The other late-season Brit-importĀ PatriotsĀ had an even rougher go of it, only getting a nod for Michael Stuhlbarg (and heās the American addition!). Still, we must respect Maria Friedman (a Brit) helming that big turnaround forĀ Merrily.
UP: The Tunick strikes back.Ā There wasnāt a Best Orchestrations category in 1981. But now, Jonathan Tunick, who did the original orchestrations forĀ MerrilyĀ and these new ones (the original orchestra had 20 players; the revival has 13) is up for recognition. Hit the flutes!
UP: Significant revisions.Ā Itās hard to imagineĀ SuffsĀ getting the amount of recognition it did on Tuesday if it had taken its Off Broadway incarnation uptown, but they (and specifically, double-nominated Shaina Taub) put in a lot of work and it paid off.
DOWN: The ability to make the joke that the nominating committee went āGatsby?Ā WhatĀ Gatsby?āĀ They remembered its costume design, otherwise it mightāve been funny. āThe Wiz, whatĀ The Wiz?ā doesnāt have the same ring to it.
UP: Woman directors.Ā Four of the five nominees in musicals, and three of the five in plays.
UP: The Western Sky.Ā Lindsay Mendez,Ā Eden Espinosa,Ā Shoshana BeanĀ ā aaaAAAaah. (Others have pointed this out, but we deserve minute partial credit for those graphics shamelessly quotingĀ Jasonās description of EdenĀ as āone of the best Elphabas of all time.ā)
UP: Being a featured actor or actress in the playĀ Stereophonic.Ā Itās a bold gambit having your whole cast compete in two categories, and yet it worked. Special recognition deserved to un-nominated Chris Stack (award for playing to a click track) and Andrew R. Butler (award for generally chill vibes in the recording studio).
DOWN: Being a featured actor or actress not in the play Stereophonic. In a different year, there might be space for, say, Michael Imperioli inĀ An Enemy of the People, or Will Keenās Putin inĀ PatriotsĀ (and he won an Olivier), not to mention the supporting work inĀ Mary Jane,Ā Jajaās, orĀ Vanya. Itās not the kind of performance awards bodies love, but I am pouring some vodka out for Mia Katigbak.
āJackson McHenry
This weekāsĀ grosses are here. Jackson McHenry, Tom Smyth, Zach Schiffman,Ā Brandon Sanchez, andĀ Sara Holdren discuss.
Jackson McHenry:Ā Not sure how to say āpoor Lempickaā in Polish, but that.Ā The WizĀ will have to content itself with zero Tony nominations but lots of money.
Tom Smyth:Ā No Tony just means more room on Wayne Bradyās shelf for fedoras.
Jackson:Ā I do feel bad for whoever paid $303 for the most expensive ticket toĀ The Great Gatsby, though maybe F. Scott Fitzgerald would appreciate the metaphor there about the tastes of the rich.
Zach Schiffman:Ā Interesting howĀ SuffsĀ is down so much but still pulling an over-$100-ticket price. The audience ofĀ Suffsis rich, I feel, or richer than the rest of Broadway audiences, which are already rich.
Jackson:Ā Yeah, the strategy of keeping the value of the ticket up even if youāre not at max capacity is interesting.
Brandon Sanchez:Ā Also, byeĀ Kimberly Akimbo. āAs we go on / We remember / All the times we had together.ā
Zach:Ā Off to the Skater Planet in the sky.
Tom:Ā Skater Planet in the sky, a.k.a. a national tour.
Jackson:Ā Itās beeeeeen a great adveeeeeenture. A nation holds its breath waiting to see which beloved theater actress of a certain age will lead the tour.
Sara Holdren:Ā My friend whoās a mom was like, āI couldnāt handle seeingĀ Mary Jane, so I took myself toĀ Kimberly AkimboĀ before it closed and now I am broken.ā
Jackson:Ā ThatĀ KimberlyĀ emotional devastation is sneaky!
Tom:Ā Six Flags should give them a residency.
Zach:Ā Best Score is such a funny category ā two shows that are closed and a play. Best Actress in a Musical is such a snooze category this year. Itās Kelliās to lose?
Jackson:Ā Fingers crossed Sarah and Juliana split the vote for Featured Actress in a Play and Kara Young wins.
Dee Lockett:Ā Why did they hateĀ Gutenberg? Specifically, why did they hate Josh Gad? This is the one time not to hate him.
Jason P. Frank:Ā Too bad the otherwise immaculate Featured Actor in a Play category was marred by J*m P*rsons.Ā IādĀ even take Molina (in a showĀ IĀ didnātĀ like). I also wish one of theĀ Mary JaneĀ women could have gotten in, but I knew that was a pipe dream.
See the full list of nominees here.
āA lot of drugs! And a lot of music!ā
– Man in the audience ofĀ Stereophonic