Richard E. Grant dons platforms as he attends Ziggy Stardust And The Spiders From Mars screening

Richard E. Grant was each inch the glam rocker as he attended a screening of Ziggy Stardust And The Spiders From Mars in London on Monday.

The documentary which captures David Bowie’s 1973 London live performance has now been remastered for a brand new technology. 

Richard, 66, donned a pair of towering leather platforms for the function as he emulated the late Lifetime on Mars hitmaker. 

He seemed great in the retro ensemble that also showcased a Union Jack blazer and matching waist coat.

Oscar nominee Richard also sported a pair of patchwork flares as he posed up a storm for the cameras. 

As his alter moi Ziggy Stardust legendary musician David, who passed absent in 2016 aged 59 right after being diagnosed with liver cancer, sported a lot of outrageous appears and would usually don big platforms.

During the concert at the Hammersmith Odeon David famously advised fans  that it would be ‘the last clearly show we will at any time play’.

Despite the fact that songs enthusiasts took that to indicate he was quitting songs completely, he was merely ditching his change moi and his band the Spiders from Mars.

It arrives soon after it was noted that David Bowie admirers would get the opportunity to when again attend a live performance of his hits with a new digital-actuality encounter.

And his memory could dwell on in an even nearer way than at any time right before, as talks are reported to be in position to create an on-phase avatar adventure of his profession.

A supply instructed The Mirror that the endeavour is at present getting explored, dubbing the system an ‘exciting time’.

It would be equivalent to the existing creation ABBA Voyage, which kicked off in 2022 and depicts the Swedish supergroup as they were in the 1970s.

 A source informed The Mirror: ‘The strategy of remaining capable to recreate David’s charisma and electric showmanship for an audience is an intoxicating just one, and the prospect of how that might be finished is staying explored. It is a incredibly exciting time.’

MailOnline has contacted representatives of David Bowie’s Estate for remark. 

ABBA Voyage appears to have kicked off a new wave of concert with it is really virtual experinece, which has a residency in it is goal-designed location at the Queen Elizabeth Olympic Park – dubbed the Abba Arena.

With the holograms so in-depth, followers are taken again in time to the 1970s with the general performance. 

It will come right after it was announced that an extensive archive of David‘s life, perform and legacy will go on display to the community for the initially time in 2025.

Acquired by the Victoria and Albert Museum (V and A), the exhibition will contain far more than 80,000 things that span 6 many years of the cultural icon’s vocation.

They will be manufactured available to the community as a result of the creation of The David Bowie Centre for the Study of Executing Arts, which will open in Stratford’s Queen Elizabeth Olympic Park.

It will enable followers and researchers alike to get up near and gain new insights into Bowie’s inventive approach like never ever right before, the V and A stated.

The assortment will feature handwritten lyrics, letters, sheet new music, initial costumes, trend, pictures, movie, songs video clips, set types, album artwork and awards.

It will also incorporate instruments owned by the environment-well known musician, as very well as writings and unrealised tasks under no circumstances ahead of observed in public.

Highlights include phase costumes these as Bowie’s breakthrough Ziggy Stardust ensembles, developed by Freddie Burretti in 1972, Kansai Yamamoto’s creations for the Aladdin Sane tour in 1973, and the Union Jack coat designed by Bowie and Alexander McQueen for the 1997 Earthling album deal with.

The archive also features around 70,000 pictures, prints, negatives, slides and contact sheets taken by some of the 20th century’s main photographers from Terry O’Neill to Brian Duffy and Helmut Newton.

Its acquisition by the V and A and the generation of the centre was created attainable many thanks to the David Bowie Estate and £10 million donation from the Blavatnik Family members Foundation and Warner Songs Group.