Comedian Jesus Trejo knows a thing or two about crafting comedy out of personal experiences.
His journey as an only child and family caretaker has enriched his stand-up since his early days at the Comedy Store, where he initially worked as a valet.
âThe one thing that I felt like I was an expert on was my specific caregiving journey,â Trejo said. âA lot of Latinos are caregivers and donât get paid for it.â
Trejo has found ways to incorporate that experience into his comedy. Most notably, he was part of a 2020 AARP documentary, âCare to Laugh,â that explored the most intimate parts of his life as a full-time caregiver and comedian. In it, he jokes that he has two kids, âages 70 and 71ââ a nod to his parents.
Trejo has put out two comedy specials â âStay at Home Sonâ on Showtime and âPracticingâ on YouTube â and has been on the âTonight Show Starring Jimmy Fallonâ twice. Heâs also a part-time actor, with roles in Netflixâs sitcom âMr. Iglesiasâ and Huluâs âThis Fool,â where he was also a writer.
Now, the Long Beach local is exploring the jokes beyond the stage as host and executive producer of a new PBS series, âRoots of Comedy.â
âI find that every joke can be traced back to the community,â Trejo said.
In the short travel documentary, Trejo engages with rising comedians as they explain the upbringing and communities that shape their sets. Trejo steps into the role of host and executive producer with comedy as his guiding light.
âEverything I do is aimed in that direction,â Trejo shared.
All six episodes of âRoots of Comedyâ launched on May 24 via the PBS app, with the broadcast premier set for June 21.
The following interview has been edited for clarity and length.
You are a quadruple threat as a comedian, actor, writer and now executive producer for the PBS miniseries âRoots of Comedy.â How do you do it all?
Iâm just grateful to be in spaces that I never thought Iâd see myself in. I feel like I give it my all. I was given this great work ethic from my parents. Thereâs this voice in your head and itâs like, âOh, I donât want to be lazy.â
Comedy in general is like my North Star. I feel like everything I do is aimed in that direction and underneath it is storytelling in every way shape and form, whether itâs a kidsâ book, whether itâs on stage doing stand-up, storytelling writing, acting.
How old were you when you started stand-up comedy?
I was 20 years old and Iâm 38 now. It took me a whole year to get up after the first time I did stand-up because I bombed so hard. I was not getting any type of reaction on stage till around Year 6. It was painful. Sometimes people ask me, âWhyâd you stick with it?â I guess Iâm terco [stubborn] so I just stuck with it.
In your comedy, youâve often shared how you took on the caretaker role as an only child, does that experience peek into your work now?
My mother passed away last year due to dementia. It was difficult. Iâve been a caregiver for her for a long time and currently a caregiver for my dad. Itâs tough. Iâve done projects with AARP around disrupting ageism and doing a lot of work around caregiving. We did a documentary years ago called âCare to Laugh.â Itâs a documentary where AARP followed me for a year doing stand-up all while Iâm taking care of my parents. In my material, you definitely see stories that Iâve been able to tell about my caregiving journey.
What was your familyâs reaction in seeing you perform?
My mom didnât understand what I was doing for a long time. In the last couple of years, I think my mom came around to understanding stand-up and would get so happy. My dad has come around a ton. We sat down recently and watched the PBS series âRoots of Comedyâ together. It was really cool for him to see that I hosted this.
âRoots of Comedyâ dives into the lives of six up-and-coming comedians, why go deeper into their stories than what we see on stage?
When you see a comedian on stage, you see the joke and I find that every joke can be traced back to community. People want to see behind the curtain. They want to understand where the comedian came from and the community they belong to. I think that informs a lot of the type of comedy they do on stage.
On top of being in comedy, youâve also written an award-winning childrenâs book based on your fatherâs career as a landscaper, and another book on your motherâs love of plants. What is something that you would tell your younger self?
If I could go back and talk to my younger self, I would encourage him to continue being a kid because all those things that I did as a kid have now become tools that have allowed me to storytell. Thatâs such a wild thing for me to tell a first-generation kid that was born here, that didnât speak the language until later.
You were also a writer for âThis Foolâ on Hulu, which was recently canceled after Season 2. What do you think is lost when we cancel shows like this?
It was a difficult time [for the show]. There was a writerâs strike, so there wasnât as much promotion as there should have been on behalf of the creators and actors involved. Iâm so grateful that I got to be a part of it and be a staff writer on the second season.
When you get rid of a show that is specific to our community, I think it really sucks. Because when one door closes, it usually takes a very long time for another door to open, and it shouldnât be like that. I think thereâs enough platforms in this day and age for there to be multiple shows that represent our community. It does hurt us. Latino projects donât get afforded the same opportunities [as other projects].