PS: When you are operating on a project where the storyline entails the vogue business, how does that change your standpoint or “up the ante”?
AG: Any motion picture that has a storyline involving the vogue field routinely makes it really thrilling for distinct reasons. As an individual who worked in manner, these kinds of assignments give me the possibility to press the restrictions when it will come to costumes. It is a excellent opportunity to be incredibly artistic and make appears that are both aspirational and a single of a type.
PS: In your brain, what are a handful of essential things of a manner editor’s workday wardrobe, and how did you make certain to carry individuals into Jenna’s earth?
“It can be important to me that I use these sorts of possibilities to pick from underrepresented talent to showcase.”
AG: I feel a key thought is defining a sense of own model and proudly owning it. Protecting each comfort and ease and magnificence was significant, as these are hardworking people needing a sense of relieve in their wardrobe. With Jenna owning her possess feeling of fashion, and with Gabrielle truly enjoying the outfits, she owned them flawlessly.
PS: The film is primarily based on Tia Williams’s book. How closely did you get the job done with the creating group to occur up with appears to be that accurately depicted the storyline in the reserve?
AG: I failed to operate immediately with the producing group but researched their perform endlessly. When I presented images of the initially fitting, the crew realized I was representing a deep understanding of their work, and a have confidence in was formed.
